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・ Víctor David Loubriel
・ Víctor David López
・ Víctor de Carvalho
・ Víctor de la Parte
・ Víctor de la Peña Pérez
・ Víctor Diogo
・ Víctor Domingo Silva
・ Víctor Dreke
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・ Víctor Díaz
・ Víctor Díaz (basketball)
・ Víctor Díaz Miguel
・ Víctor Dínenzon
・ Víctor Emanuel Díaz Palacios
・ Víctor Emeric
Víctor Erice
・ Víctor Ernesto González Huerta
・ Víctor Espasandín
・ Víctor Espárrago
・ Víctor Espínola
・ Víctor Estrada
・ Víctor Estrella Burgos
・ Víctor Estupiñán
・ Víctor Fabián Pacheco
・ Víctor Fagundez
・ Víctor Fajardo Province
・ Víctor Fatecha
・ Víctor Fayad
・ Víctor Felipe Calderón Valeriano
・ Víctor Fernández


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Víctor Erice : ウィキペディア英語版
Víctor Erice

Víctor Erice Aras (; born 30 June 1940) is a Spanish film director.
He studied law, political science, and economics at the University of Madrid. He also attended the Escuela Oficial de Cinematografia in 1963 to study film direction. He wrote film criticism and reviews for the Spanish film journal ''Nuestro Cine'', and made a series of short films before making his first feature film, ''The Spirit of the Beehive'' (1973), a critical portrait of the rural Spain of the 1940s.
Ten years later, Erice wrote and directed ''The South'' (1982), based on a story from Adelaida García Morales, considered a masterpiece although the producer Elías Querejeta only allowed him to film the first two-thirds of the story. His third movie, ''The Quince Tree Sun'' (1992) is a documentary about painter Antonio López García. The film won the Jury Prize and the FIPRESCI Prize at the 1992 Cannes Film Festival.〔(【引用サイトリンク】title=Festival de Cannes: Dream of Light )
He was a member of the jury at the 2010 Cannes Film Festival in May.〔 〕
==Critics==
Geoff Andrew, in the ''Time Out Film Guide'', praises Erice's contribution to ''Ten Minutes Older: The Trumpet'' (''Lifeline'') as "quite masterly", adding "it only makes you wish he worked more frequently".〔Quoted in ''"Time Out" Film Guide: 17'', 2008, p. 1061.〕 Excluding that short film, he has produced only three major works: ''The Spirit of the Beehive'' (1973, ''El espíritu de la colmena'' / ''The Spirit of the Beehive''), ''El Sur'' (1983, ''The South'') and ''El Sol del Membrillo'' (1992, ''The Quince Tree Sun''). Critic Tony Rayns describes ''The Spirit of the Beehive'' as "a haunting mood piece that dispenses with plot and works its spells through intricate patterns of sound and image"〔Quoted in ''"Time Out" Film Guide: 17'', 2008, p. 1003.〕 and of ''El Sur'' it has been said that "Erice creates his film as a canvas, conjuring painterly images of slow dissolves and shafts of light that match Caravaggio in their power to animate a scene of stillness, or freeze one of mad movement".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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